The new CD from Steven Mead has a well-balanced mixture of three concertos, a new work by Philip Sparke and three lighter items.

Concerto per FLicorno Basso, by Amilcare Ponchielli, is really a theme and variations written in the grand 10th century tradition. After a lengthy introduction, the main theme presented is strong and memorable in a 'Verdiesque' style. The ensuing variations are progressively virtuosic and superbly played. This is very enjoyable work, which should be taken up by euphonium players everywhere.

In the classic and enduring Euphonium Concerto by Joseph Horovitz, Steven Mead really sounds like a master performer. His intimate knowledge of the work gives a supremely accomplished and thoroughly convincing reading. The two outer movements are just right in tempo and style with every note carefully played and able to be heard in the most rapid section. The highlight of the concerto (and of the entire CD for this listener) is the slow movement, Lento. The space and time given allows the music to carefully and deliciously reveal itself and brings a magical quality akin to great performances of the slow movement of Elgar's Cello Concerto.

Concerto for Cello and Wind Orchestra is the third concerto on the CD and is one of four pieces skilfully arranged by the band's conductor Luc Vertommen. A guitar is used prominently in this piece, which is an eclectic mix of jazz, traditional Austrian music and classical influences. Steven Mead is an innovative performer and this is a fascinating piece, which, like all others on the CD, is exceptionally well played by both soloist and band, but not one I feel that will become a mainstay of the euphonium repertoire. Harlequin by Philip Sparke, on the other hand, should prove to be a huge hit.

Like it's sister piece, Pantomime is a very well written, tuneful showcase for euphonium and band. The piece (which is over nine minutes in length) begins with a lovely slow introduction, followed by a cadenza, which leads into a sizzling and virtuosic vivace section.

The Playful Pachyderm, by Gilbert Vinter, was originally written for bassoon and piano. This a real virtuosic showcase, which Steven Mead plays with characteristic ease and much style. Fans of Vinter will recognise his unique colours in this superb arrangement by Luc Vertommen.

The two other pieces on the CD are Pokarekare Ana by Praire H.Tomoana and Introduction and Tarantella, by Pablo de Sarasate. Both of these shorter numbers are delightful and of an equal standard to the rest of the tracks.

Steven Mead's exceptional agility and control means that, at times, he glides effortlessly over the surface of the band's sound whilst still retaining a powerful and rich tone when required.

This latest CD is a real delight from start to finish and should broadly appeal to all brass players. Highly recommended!

Andy Duncan, Conductor, Arranger, tuba soloist, and former tubist with the Halle Orchestra - British Bandsman - May 2006